
There has to be a livelier and encouraging space for experiments, everywhere in life. Experiments lead to innovation and that in turn leads to expression, experience and reflection. Films have always served as intimate layers of our consciousness that help us experience what we want to and also, what we did not even know, exists.
For such a powerful medium, to be restricted to genres is highly limiting. The genre of ‘experimental films’ transcends in those lanes and by-lanes of our mind and heart, where it’s difficult to give it one clear category or mood. Isn’t that the most tickling space for all of us?
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Making experimental films is however, tricky. Very tricky. If you are reading this, you know it anyways!
But is ‘experimental’ a genre that suits your personality?
Badrinath Sabat has valuable insights to figure this part out.
- What type of film-makers can make experimental films?
- How to really define ‘experimental film’
- What is the market for this space today?
- Important resources to keep in mind
- About Badrinath’s journey
Topics Covered
- Networking opportunity with Badrinath Sabat
- Access to pitch for Guest and Host’s collective network in distribution, finance and team building
- A chance to present your film to a larger film-makers collective for your intended purpose
Additional Benifits
SPEAKER
Speaker

Badrinaath Sabat is an Indie-Filmmaker, Author, Screenwriter & founder of the Mumbai Indie-Film Society, Taglab Script Lab & Dustbin Ideas Production House. He is the founder of the Mumbai Indie-film Society .Where he leads hundreds of filmmakers and raises their voices. He made this platform with the support of Sriram Raghavan, Kamal Swaroop, Navdeep Singh & Anand Gandhi. He also the founder of Taglab Script Market, an uniquely designed Script-Lab project. Anurag Kashyap, Sriram Raghavan, Hansal Mehta trio participated in Badrinaath ‘s Taglab Project.
Badrinaath Sabat
Indie-Filmmaker, Author, Screenwriter & founder of the Mumbai Indie-Film Society, Taglab Script Lab & Dustbin Ideas Production House.
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